japan

Japanese Traditional Painting Workshop

I was so excited about my very first workshop on Traditional Japanese Painting with Terada Art at Tennozu Isle, off Shinagawa. So despite the late post, I thought I would love to share my experience with everyone.

image.jpg
image.jpg

So what exactly is traditional Japanese painting? Well, the main focus is most probably on pigments. I was introduced to different pigments and how they came from grinding minerals and rocks. Mixing these powdered pigments with animal fat brings a shade of Colour for painting.

I was told that in the past, people do use animal fats from rabbits to even crocodiles. Different animal fats give rise to different textures and that's another big chapter that Sensei didn't go further due to time.

Here's how my beginner set looks like. Powdered minerals, a bottle of liquified animal fat, ink, brush and the painting card.

image.jpg
Dissecting the kit...

Dissecting the kit...

First, tape your draft outlines and carbon paper firmly to the painting board for tracing.

image.jpg

Trace out the outlines

image.jpg
image.jpg
There you go! 

There you go! 

Diluting black ink to 3 different shades.

image.jpg

And we draw over the carbon lines as official outlines.

image.jpg

Then comes the painful and tricky part. Mixing and rubbing animal fat and oyster powder to a certain consistency as a base coat to make sure pigments stay.

image.jpg

Oyster shells were used and grinded till fine powder. Sensei told us an example of how these shells were used in making Traditional Hina Japanese Dolls. As the Oyster shells had different tones on white and off-white, the off-white brownish part of the shell would be used as basecoats as they are sturdier than the white parts. Hence, the bottom coat will be the brown part, leaving the white parts for the topcoat.

Japanese Hina Dolls - Photo credits to  Japan Today . 

Japanese Hina Dolls - Photo credits to Japan Today

Sensei went on and told us how smart the people of the past were by using every single animal part they could get their hands on. Taking for example a rabbit, the meat would be eaten, fur for keeping warm or for brushes, and fat for cooking or as a solvent for pigments.

Liquified animal fat (gelatin) and oyster powder

Liquified animal fat (gelatin) and oyster powder

Rubbing them together bit by bit with the ball of your 3rd finger.

image.jpg

After bruising my fingers and attaining an almost perfect consistency, I mixed my desired blue pigment for the background. I gave the surface a sweep of water and brushed the blue onto my artwork. To actually have a gradient background, a dry rough bristled brush is used to sweep the paints downwards. (I didn't have time and clean fingers to take a picture of that step)

image.jpg

Then, mixing pigment mineral powder with the animal fat, rubbing them to your desired consistency for painting.

And here's the almost completed piece of Sakuras for spring!

image.jpg

There you go!
I learnt so much on pigments, culture and techniques of a painting style I have never been in touch with.
After the workshop, I felt for artists who invented art in the early times with raw ingredients that they have and can afford. Not to mention the spirit they had. (All that curiosity and patience!) We often take art materials for granted, but this session made me take a step back to appreciate what we have and how they came about and be thankful.

image.jpg

Risographic Printing Workshop with Tegamisha & Retro Printing JAM

Amongst the different printing methods, I wanted to know what happens with Risographic printing. Risographic printing is a method that allows you to print layer by layer, one colour at a time. Most Risographic prints are bi-coloured, sometimes stretching to the use of 3 Colours with a panel of Colours to choose from.

So if you have the word red printed as layer 1 with red ink, and you choose to print a black circle over it, it's likely you can't see your red letters.

Well, pictures speaks louder so here was what happened at my Risographic workshop with Tegamisha Japan and Retro Insatsu JAM!

Risographic Printing Workshop by Tegamisha

Risographic Printing Workshop by Tegamisha

All the samples and collection of risographic prints!

All the samples and collection of risographic prints!

Kit full of samples and guides

Kit full of samples and guides

Illustrating my risograph mini zine on Singapore! 

Illustrating my risograph mini zine on Singapore! 

Fresh out of the riso printers!

Fresh out of the riso printers!

Meet Mr. Retro-Printing Jam! 

Meet Mr. Retro-Printing Jam! 

Lots of different fresh new zines from everyone in class!

Lots of different fresh new zines from everyone in class!

Cheese! 

Cheese! 

My first zine: "Singapore is not only about Chicken Rice & Merlion!" 

My first zine: "Singapore is not only about Chicken Rice & Merlion!" 

Pigeon is actually giving away 10 copies of my newest zine! More details to be released via Instagram soon! 


Talking about workshops! Pigeon will be hosting her 2nd watercolour workshop in collaboration with itchyfingers Singapore on 20th March! 

Monkey Cafe Daikanyama

Good coffee, art, bright natural light and space is no monkey business at all! I'm getting hooked on Monkey cafe in Daikanyama!

Bright and spacious interior

Bright and spacious interior

Minimalist logo of Monkey Cafe

Minimalist logo of Monkey Cafe

Feeling good for some unique merchandise like the laundry multi utility bag or a personalizable tee? 

Feeling good for some unique merchandise like the laundry multi utility bag or a personalizable tee? 

Popcorn fever in Tokyo! How about some clever portable packed shoyu caramel popcorn?  

Popcorn fever in Tokyo! How about some clever portable packed shoyu caramel popcorn?